We Got That Broll!

In: Editing

28 Dec 2009

Slightly NSFW from:28 to :34.

Benjamin Ahr Harrison directed and did the graphics and compositing, I produced and did the editing. Max Coyote Nova was the DP, and Tahijr Jetter was the assistant director. We used 5 HVX P2 cameras at 23.98 PSF shooting at the same time to create the pan effect. This was shot at Bravo Studios on West 27th st, NYC.

Since Twitter’s release a handful of web startups have cropped up providing URL shortening, allowing a user to take a long URL and condense it to make it 140 character Twitter friendly. Apparently this service is hard to monetize. It looks like tr.im, a popular URL shortener service has gone under, posting this message on their homepage:

“tr.im is now in the process of discontinuing service, effective immediately.

Statistics can no longer be considered reliable, or reliably available going forward.
However, all tr.im links will continue to redirect, and will do so until at least December 31, 2009. Your tweets with tr.im URLs in them will not be affected.

We regret that it came to this, but all of our efforts to avoid it failed.
No business we approached wanted to purchase tr.im for even a minor amount.

There is no way for us to monetize URL shortening — users won’t pay for it — and we just can’t justify further development since Twitter has all but annointed bit.ly the market winner. There is simply no point for us to continue operating tr.im, and pay for its upkeep.

We apologize for the disruption and inconvenience this may cause you.”

I also found this interesting blurb from the tr.im blog: (bold is from me)

“And, the data that tr.im generates — the hottest links that people are sharing right now — is all well and good, but everyone has this data. tr.im gets hit by countless bots every day farming this data to create and operate websites such as tweetmeme.com. So, *everyone* has this data, meaning it is basically worthless *by itself* to base a business on (as bit.ly and others are attempting to do) at least in our humble opinions.

And finally, Twitter has all but sapped us of any last energy to double-down and develop tr.im further. What is the point? With bit.ly the Twitter default, and with us having no inside connection to Twitter, tr.im will lose over the the long-run no matter how good it may or may not be at this moment, or in the future.

So, in summary, there is simply no point in continuing to operate or work on tr.im, and we are moving on to greener pastures. We appreciate all the support and kind words about tr.im we received over the past 12 months, but change is ultimately good, and bit.ly can more than accommodate your URL shortening needs.”

Given the recent 40th anniversary of the 1st Apollo Moon landing, SlateV investigates how the media would cover the same event today. Genius. (Unfortunately for you SlateV uses Brightcove as a video vendor so this might take forever to load, but trust me its worth it.)

From the Australian comedy group ‘Chaser’s War on Everything

Back in May I accompanied my good friend and music journalist Ali Gitlow as a photographer to cover the underground ‘Chiptune’ scene. There is a current subculture of musicians all over the world that are hacking old video game consoles and using them to compose music. Ali and I went to a local do-it-yourself venue in Brooklyn and interviewed Anamanaguchi, a chiptune band that has hacked an original Nintendo and an original Gameboy console to create musical compositions. They then take those compositions and play along to them with guitar and drums. Ali’s full story and my photos are posted over at the Flavorpill blog.

What I found most intriguing about this process is that most of these Chiptune artists are too young to have used these consoles when they were at the peak of their popularity. In Anamanaguchi’s case, they are all still undergrads at NYU, and were babies when the original NES was popular.

Getting ready to take apart the Nintendo

Getting ready to take apart the Nintendo

Flash memory card Nintendo cartridge hack

Flash memory card Nintendo cartridge hack

I just recently finished editing this fundraiser video for a great non-profit called Urban Art Beat. Urban Art Beat is an after school program in the South Bronx that brings in working musicians as mentors to teach kids how to make music, specifically hip hop music. The program simultaneously keeps kids out of trouble by giving them a place to go and provides an art program in a public school that is totally lacking. It also gives the kids positive mentors to look up to. I was very impressed with what they are doing and I hope they are able to expand to other schools. This was co-directed by my good friends Pete Chatmon and Benjamin Ahr Harrison for Double7 Film.

I love this new hilariously spot on blog ‘Things Marketing People Love.’  Marketing people really do like to ‘Coin Things‘ and they most certainly love to ‘Wear Chuck Taylors on Casual Fridays.

A new survey is showing user habits across the social media landscape with some unexpected results:

Do you Twitter? Then you are more interested in sex than the average Facebook, MySpace or LinkedIn user. Like LinkedIn? You’re more likely to watch soap operas. Favor MySpace? You’re probably not into exercise.

–See full article by Beth Snyder Bulik via Advertising Age

Mashable just posted an interesting article on the changing demographics of Facebook:

…the overall number of users between 18 and 24 years of age has grown only 4.8% between the fourth of January and the fourth of July of 2009. In comparison, the number of users aged 25 – 34 has grown 60.8%; the number of users aged 35 to 54 has grown 190.2%, while the number of users older than 55 years has grown a tremendous 513.7%.

See full article by Stan Schroeder at Mashable

I’d be interested to see the data on how much time each demographic is spending on Facebook as well as the retention rate.  Are the older demographics spending more time on Facebook than college kids? How many of them sign up for accounts but then never come back to them after their initial login?

About Me

I am a freelance video producer, director, editor, and writer living in San Francisco. I recently returned to San Francisco after a year in New York City working at the History Channel. I am fluent in all things HD and know more than my fair share about Final Cut Pro. Sometimes I even do live events. Check out my reel and portfolio on the tabs above. All of my latest news is in the feed to the left. Thanks for visiting!

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